Art and Activism in Latin America, year III (2018)
Kicking off the activities of Despina’s Art and Activism in Latin America, with the support from the Dutch organization Prince Claus Fund, we are pleased to invite everyone for a special talk with the selected artists for this year’s 3rd edition – Ana Lira, Danitza Luna and Felipe Rivas. Come along next Thursday, 17 May, from 7:30 pm onwards. Admission is free (Despina is located at Rua do Senado, 271 – downtown area).
This residence is in tune with the purpose of the project to promote the exchange between Latin American and Brazilian artists and activists, so that new narratives – more democratic, transgressive and multicultural – are spread, amplified and heard. For the third edition, the objective is to converge practices that address issues related to the creation of new worlds and hereby the foundation of other modes of organization, forms of subjectivization, production models, exchange systems, remuneration mechanisms and educational methodologies: a path for a transformational existence capable of performing other ways of living, focused on affection and common sharing.
Apart from carrying out their projects and researches during their residency, the artists will also participate in a series of activities, including seminars, workshops, special visits to public schools, among other actions and events. Stay tuned here on our website, Facebook (www.facebook.com/despina.org) and Instagram (@despina.rio) for more news and information.
About the artists
Ana Lira is a Brazilian artist who lives and works in Recife (Pernambuco, Brazil). Her work seek to discuss political experiences and collective actions as processes of mediation. Power relations and implications in the dynamics of communication are among the main issues of her art projects, which articulate visual narratives, press material, printed media and independent publications. She is a specialist in Theory and Criticism of Culture and in recent years has developed independent research and curatorial work, as well as educational projects articulated with visual arts. Lira has participated in more than seven collectives for two decades. She is the head of the educational projects Visual Cities, Entre-Frestas and Possible Circuits, the latter related to the elaboration of photo-books and photo-zines. She received the 2015 Funarte Arte Contemporânea Award for the Non-Dito exhibition, which was presented at MABEU / CCBEU in Belém do Pará (2017) and at Capibaribe Centro da Imagem, in Recife (2015). She is the author of the book Voto, published by Pingado Prés, in 2014 (1ª ed.) and 2015 (2ª ed.). The book is part now of the São Paulo Pinacoteca collection and also of the Museum of UFPA Photo-book Collection. She is also a researcher in audiovisual projects – currently Lira is doing a research for the Terrane project, a visual narrative about women working in construction in the Brazilian semi-arid region, an experience related to the Casa da Mulher do Nordeste (“Northeast Women’s House”). During her residency at Despina, Ana intends to investigate the relationships between invisibility and power, through the mapping of knowledge and the sharing of information-culture which does not pass through large communication circuits.
Danitza Luna is a Bolivian artist and activist who lives and works in La Paz. She holds a degree in Visual Arts from the Universidad Mayor de San Andrés, specializing in sculpture. Since 2011, she has been part of the anarcho-feminist collective “Mujeres Creando”, one of the most important and influential art and activism platforms in the country, which develops artistic intervention and performance projects in public spaces, as well as art and screen printing workshops and educational programs in universities and women’s unions, with emphasis on gender issues and ethnic minorities. Amongst the recent exhibitions she participated as part of the collective, we highlight: “Muros Blandos”, held at the Salvador Allende Solidarity Museum in Santiago de Chile (2017), where she developed, alongside artists and activists Esther Angollo and Maria Galindo, a series of provocative and ironic murals that brought the attention to some political and religious controversies around the discussions on gender identity. In 2016, she developed (also with Esther and Maria) a commissioned work for the Bolivian International Biennial of Arts – the public intervention projects “Altar Blasfemo” and “Escudo Anarco-Feminista Antichauvinista”, which took place on the external wall of the National Museum of Art City of La Paz. In 2015, she participated in the Medellin International Art Meeting – “Historias Locales / Prácticas Globales”, in Colombia, where she coordinated with other members of the collective the screen printing workshop “Grafica Feminista, No acepto ser cosificada” in the Muesu of Antioquia. The results of this experiment were displayed on a public mural in the streets of Medellin.
Felipe Rivas San Martín is a Chilean artist living and working in Valencia, Spain, where he is a fellowship PhD student at the National Commission for Scientific and Technological Research (CONICYT) – Polytechnic University of Valencia (UPV). He holds a Master’s Degree in Visual Arts from the University of Chile. His practice includes painting, drawing, performance, video and it’s related to technological image (virtual interfaces, digital codecs). He is the co-founder of the Sexual Dissidence Student Collective (CUDS), and has been participating in this activism platform since 2002. He also directed the magazines “Torcida” (2005) – about culture and queer criticism, and Disidenciasexual.cl (2009). Rivas links activism and artistic production with research, text and curatorship in relation to arts, politics and technologies, queer theory, post-feminism and performativity.
ART AND ACTIVISM IN LATIN AMERICA is a Despina project, with the support of the Dutch organization Prince Claus Fund. The project extends for three years (2016, 2017 and 2018). Each year, a theme will guide a series of actions, including occupations, workshops, talks, film screenings, exhibitions, public talks with important names of contemporary artistic + activist thought and a residency programme. For this third edition, the project brings DISSENT AND DESTRUCTION as its main theme and it runs between May and June 2018.
Check below a short piece on the theme for this year’s edition.
ART AND ACTIVISM IN LATIN AMERICA – YEAR III (2018)
Dissent and destruction
Like an earthquake, artistic and activist practices, through avant-garde and revolutionary actions, are capable of causing cracks in structures hitherto regarded as unshakeable. Discordant forms of life organization have long coexisted – equidistant, clandestine, or even in conflict – within normative and dominant models.
Given the incontestable failing of current social and political systems, which are still founded on inequality, indifference and injustice, what other forms of survival will be possible from this dystopian scenario?
Based on this question, we propose to articulate connected strategies of action in order to make the overthrow, the collapse and the implosion of the hegemonies possible: to think of new futures.
In this third year of Despina’s Art and Activism in Latin America project, we will look at those who turn discontent into incendiary ideas and everyday conspiracies, having as tools of struggle collaborative spaces for insurrection and configurations of networks of counter-conduct.
Among topics as relevant and urgent as racism, mass displacement, cuir, indigenous extermination, gender violence, fake news, political persecution, normative processes and moralization of bodies, discourses and practices; we will welcome proposals permeating fields such as artificial intelligence, crypto-coins, hacktivism, algorithms, network regulation, afro-futurism, deconstruction of whiteness, legal activism, active education methodologies, community health, alternative spaces and systems of art and culture, alternative agricultural practices, speculative fiction, among many others.
We look for dissonant existences, ongoing tensions, radical positions; not as mere allegories but as the opening of loopholes in the economic, political and social operating systems. Transgressions that offer alternatives to cohabit the present, in full acceleration of the process of the ruins, which we can no longer stand to contradict without counter attacking.
Pablo Leon de La Barra
Selected artists in previous years
Year I- 2016 (Theme: Public Space)
Bubu Negrón (Porto Rico)
Crack Rodriguez (El Salvador)
Luciana Magno (Belém, Brazil)
Year II – 2017 (Theme: Body)
Carlos Martiel (Cuba)
Cristiano Lenhardt (Recife, Brasil)
Mariela Scafati (Argentina)